Email us at Cuyamaca.Music@gcccd.edu to set up a personal course plan!
Two degrees to choose from:
The Music Industry Studies program provides lower division preparation for students
wishing to transfer to a four-year program in Music Industry Studies. The program
combines training in music theory, literature, and performance with studies in music
technology and business.
Downloadable PDF Music Industry Brochure
The Music Education Transfer Degree program provides lower division preparation for
students who want to pursue a bachelor's degree in Music Education and a California
teaching credential in music. The primary emphasis is to prepare students for transfer
to four-year music education programs.
Downloadable PDF Recommended Course Sequence
Program Requirements:
MUS 104 Introduction to the Music Industry
MUS 105 Music Theory and Practice I
MUS 106 Music Theory and Practice II
MUS 120 Introduction to Music Technology
MUS 121 Music Industry Seminar
MUS 122 Music Industry Seminar
MUS 132 Class Piano I
MUS 133 Class Piano II
MUS 161 Cooperative Work Experience in the Music Industry
MUS 221 Music Industry Seminar
MUS 222 Music Industry Seminar
Music Electives (2 from the following)
MUS 110 Great Music Listening
MUS 111 History of Jazz
MUS 115 History of Rock Music
MUS 116 Introduction to World Music
MUS 123 History of Hip-Hop Culture
MUS 184 Digital Audio Recording
Performance Electives (4 from the following)
MUS 108 Rock Pop and Soul Ensemble
MUS 109 Rock Pop and Soul Ensemble
MUS 152 Concert Band
MUS 153 Concert Band
MUS 158 Chorus
MUS 159 Chorus
MUS 190 Performance Studies
MUS 191 Performance Studies
MUS 208 Rock Pop and Soul Ensemble
MUS 209 Rock Pop and Soul Ensemble
MUS 252 Concert Band
MUS 253 Concert Band
MUS 258 Chorus
MUS 259 Chorus
MUS 290 Performance Studies
MUS 291 Performance Studies
Business Electives (1 from the following)
BUS 120 Financial Accounting
BUS 125 Business Law
Program Requirements:
MUS 105 Music Theory and Practice I
MUS 106 Music Theory and Practice II
MUS 110 Great Music Listening
MUS 116 Introduction to World Music
MUS 119 Cooperative Work Experience in Music Education
MUS 120 Introduction to Music Technology
MUS 126 Class Guitar I
MUS 132 Class Piano I
MUS 133 Class Piano II
MUS 190 Performance Studies
MUS 191 Performance Studies
MUS 232 Class Piano III
MUS 233 Class Piano IV
MUS 290 Performance Studies
MUS 291 Performance Studies
Performance Electives (4 from the following)
MUS 108 Rock Pop and Soul Ensemble
MUS 109 Rock Pop and Soul Ensemble
MUS 152 Concert Band
MUS 153 Concert Band
MUS 158 Chorus
MUS 159 Chorus
MUS 208 Rock Pop and Soul Ensemble
MUS 209 Rock Pop and Soul Ensemble
MUS 252 Concert Band
MUS 253 Concert Band
MUS 258 Chorus
MUS 259 Chorus
The following courses may be used to meet general education requirements in Area C (Cuyamaca and Grossmont Colleges), Area C2 (CSU) and Area B (UCSD).
MUS 110 Great Music Listening
MUS 111 History of Jazz
MUS 115 History of Rock Music
MUS 116 Introduction to World Music
MUS 123 History of Hip Hop Culture
MUS 001 Music Fundamentals
MUS 090 Preparatory Performance Studies
MUS 091 Preparatory Performance Studies
Basic elements of music. Notation, major and minor keys, intervals, triads and 7th chords with inversions. Musical terms and analysis of chord structures. Keyboard application.
(4 Credits)
An introductory course designed to begin the preparation of the student for entrance into Music 190, Performance Studies. This course will enhance the musical progress of students who are currently receiving the equivalent of fifteen one-half hour lessons per semester of individual vocal or instrumental instruction. This course is offered on a Pass/ No Pass basis only. (Non-degree credit course.)
(0.5 Credits)
Survey of the music industry with an emphasis on individual career options, roles and responsibilities. Includes interaction with industry components and relationships between business personnel and the music artist.
(3 Credits)
Introduction to music theory and ear training. Study of harmonic concepts of the 18th and 19th centuries. Rhythmic and melodic ear training. Keyboard application and sight singing.
(4 Credits)
Continuation of MUS 105 including both written and aural aspects of music theory. Four-part writing, 7th chords, cadences and nonchord tones. Rhythmic and melodic dictation and harmonic ear training. Sight singing. Analysis of Bach chorales and binary and ternary forms.
(4 Credits)
Study and performance of representative popular music compositions from the second half of the 20th century, with emphasis on rock, RandB, and pop music. Open to instrumentalists and singers.
(1 credit)
Listening and reading survey course to acquaint students with fundamental elements of musical style. Covers repertoire from a variety of cultures and periods with primary emphasis on the Western concert tradition.
(3 credits)
Listening and reading survey course covering the history of jazz from its origins to the present. Includes style periods, significant artists, the broad cultural context of jazz, and the development of critical listening skills.
(3 credits)
Presents an overview of rock and rock-related musical styles from the early 1950s to the present. Coverage includes related social and cultural trends, outstanding artists, the influence of technology on popular music, and relevant trends in the music industry. In addition, basic musical concepts such as pitch, rhythm and form will be introduced and applied to the music under consideration.
(3 credits)
Designed to expand the student's perspective about the nature of music around the world and demonstrate the relationship between music in different cultures. Highlights elements common to all music. May include music of the cultures of India, China, Japan, Indonesia, Africa, Pacific Islands, the Middle East, Europe and the Americas.
(3 credits)
Survey of art music in Western civilization from the ancient period to the present. Musical styles will be studied within the context of concurrent developments in society, politics and other arts.
(3 credits)
Practical application of principles and procedures learned in the classroom to the various phases of music education. Work experience will be paid or unpaid at local middle or high school music programs. Placement assistance will be given. Two on-campus sessions with students will be scheduled.
(1-4 credits)
This course is an introduction to the basic concepts and processes for editing digital audio and using the digital synthesizer and personal computer to perform, notate and record music. Students should have basic computer skills, basic piano or keyboard skills, and be able to read music.
(3 credits)
In this project-based class students develop and create a set of promotional materials for a local musical artist or group. Course content combines work in recording, print, and electronic media.
(1 credit)
This is a survey course that will examine the origins and rise of Hip-Hop as an artistic form and global cultural phenomenon. It is designed for students who wish to examine and explore Hip-Hop culture, while developing background knowledge of Hip-Hop history from the early 1970's South Bronx to its national and international role today. The connections between rap music and the other elements of Hip-Hop culture will be explored and students will be challenged to think critically about rap music and its place in society. Controversial subjects such as censorship, racism, sexism, and racial politics in America will be discussed as they relate to the subject matter.
(3 credits)
Beginning course in guitar for non-music majors. Fundamentals of music as related to the guitar including scales, chords, and reading staff notation.
(2 credits)
Guitar for non-music majors. Continuation of MUS 126 with emphasis on reading staff notation in closed positions, playing scales and chords in major and minor keys, and developing both left and right hand technique.
(2 credits)
Note reading in treble and bass clefs. Major and minor key signatures. Scales, arpeggios and primary triads in major and minor keys. Transposition, improvisation and harmonization. Development of sight reading ability, two-handed coordination, correct fingering techniques and proper use of weight and relaxation in production of tone.
(3 credits)
Continuation of MUS 132. Scales in minor keys. Scales with hands together. Music literature performed in major and minor keys. Harmonization and sight reading in major and minor keys. Piano pieces in binary form with mixed texture including parallel, contrary and oblique motion.
(3 credits)
The study of representative concert band compositions in a wide variety of styles at regular rehearsals and public performances.
(1 credit)
Study and performance of standard and contemporary choral literature for choral ensemble. Open to all singers in the community and students of the college.
(1 credit)
Practical application of principles and procedures learned in the classroom to the various phases of the music industry. Work experience will be paid or unpaid at local businesses that are part of the music industry, such as recording studios, booking agencies, and music equipment manufacturers/retailers. Placement assistance will be given. Two on-campus sessions with students will be scheduled.
(1-4 credits)
In-depth presentation of digital audio recording, editing and processing. Students will learn techniques for in-studio and live recording and will record and edit new musical recordings. Students should have a basic understanding of digital audio vocabulary and basic experience with using a computer to make/record music.
(3 credits)
Primarily for music majors. Designed to enhance the musical progress of students who are currently receiving the equivalent of fifteen one-half hour lessons per semester of individual vocal or instrumental instruction. In-depth study of performances and techniques. Participation in class performances and student recitals is required.
(0.5 credit)
Continuation of MUS 106. Chromatic harmony of the 18th and 19th centuries including secondary dominants, borrowed chords and altered chords. Rhythmic, melodic and harmonic dictation. Sight singing. Analysis of Bach chorales. Form analysis of Sonata-form, Minuet/Scherzo, Rondo, and Theme and Variations.
(4 credits)
Continuation of MUS 205. Harmony of the Post-Romantic and 20th century styles. Expanded tonality. Use of church modes, pentatonic, synthetic and dodecaphonic scales. Parallelism, pandiatonicism, twelve-tone technique, aleatory music and electronic music. Study of the 18th century two-part counterpoint. Ear-training and sight singing.
(4 credits)
Continuation of Music 133. Multiple octave performance of major and minor scales. Authentic and plagal cadences. Reading of four-part chorales. Ensemble playing and accompaniment. Intermediate piano pieces in ternary form.
(3 credits)
Continuation of MUS 232. Keyboard harmony and deceptive cadence. Reading an open score. Ensemble playing and accompaniment. Piano literature from the 18th through the 20th centuries.
(3 credits)
In this project-based class, students will develop and create promotional materials for a local musical artist or groups, and will collaborate to produce concerts of popular music. The course content combines work in recording, print, and electronic media as well as concert production.
(1 credit)